![]() ![]() Every inch of this world, from the cornfields to the mines into which you must eventually descend, is beautifully realised. ![]() It’s a shame then, that the story is so good and there are some flashes of brilliance. Why on earth he couldn’t have espoused his bleak ramblings while looking at it the first time is unclear, but the ghost train judders to a stop every time, killing any tension built up by, y’know, not dying for fifteen minutes. Not only do you have to watch the probably static scene for ten long, dragging seconds, you also have to watch it back, this time with Blake’s panicked thoughts. In the least welcome mechanic since Wolf Creek’s Mick Taylor arrived in a tow truck, when Blake points his long suffering device at certain parts of the environment a red circle gradually fills up telling you it’s ‘Important’ and that you’re recording it. Repetition is also the order of the day with a new camera function. Outlast 2 is a disturbingly infuriating exercise in disappointment. This is literally a game where you can run out of batteries in a room containing another torch. Anyone who says this is a quest for realism should also try to rationalise why Blake can’t pick up anything other than batteries, bandages and sheets of paper. Night vision might be scary, but it also renders any environmental cues nigh on useless. While sometimes signposting is clear, with bloody handprints telling you where you can climb walls, elsewhere it fails miserably, leaving you circling grim environments, desperate to see where to go next. How about some one hit kills just for good luck? Or, even better, here’s six hicks in checked shirts, a QTE prompt, and no chance to use your healing bandages.ĭespite a suggestion of choice in this open l ooking world, Red Barrels wants you to do something very specific in each section. Having fun there? Here, have some more corn and flashlights. Every time you think you might be enjoying yourself too much just exploring the world, another forced flight section appears to quash that elation. Just like the original, Blake can only run, hide and film, nothing else, leaving you utterly helpless in the path of whatever lurks in the dark.ħ things I wish I knew before starting Outlast 2 (opens in new tab) Before long, he’s wading through cornfields and corpses, uncovering a disturbing Satanist cult as he attempts to find his wife. It’s no spoiler to say that it all very quickly goes downhill, as their helicopter falls out of the sky and Blake wakes up alone in the burning wreckage with only his camera and some spare batteries for company. Thus developer Red Barrels has shifted its night vision gaze to the dusty Arizona desert, where journalist Blake Langermann and his wife, Lynn, are investigating the murder of a pregnant woman. Given that Outlast already has a follow-up of sorts in the shape of prequel Whistleblower, there was no need to go over the same ground again. I was so furious playing, that on one occasion I had to go and wash my face with cold water just for something to do that wasn’t removing my own eyes with a spoon. With this in mind, I’d like to be able to say that I’m not angry at Outlast 2, I’m just disappointed.
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![]() Actually, we’re hoping that Adobe will just add more tutorials in general.īut enough of the prologue, let’s get down to the meat of the app. ![]() Still, with more and more pressure-sensitive ‘penabled’ tablets coming onto the market – like the Lenovo ThinkPad Tablet and Samsung Galaxy Note 10.1 to name but two (the HTC Flyer doesn’t qualify as its screen resolution is too low) – it’s a shame there isn’t more support for sketching and drawing at a tutorial level. But then, the photography side of it obviously has more mainstream appeal. You might have noticed a trend here, and that’s that PS Touch is heavily focused on the photography rather than art crowd. Whether you’re new to Photoshop or a long-term desktop user trying to get to grips with the completely redesigned interface, they’re an easy way in, with step by step instructions on a variety of photo manipulations: from creating virtual frames, cleaning up backgrounds or adding antique effects, to replacing colours, making photos look like paintings, or adding and manipulating text. The tutorials Photoshop Touch provides are, in a word, great. The last icon takes you to overall Settings for PS Touch. These are Upload to Creative Cloud, Share to Email/Facebook/Camera Roll, Add a Folder/Move Files, Duplicate or Delete project, and Go to Facebook’s My Images section. The top menu strip, meanwhile, is for actions relating to existing projects on the home screen. Meanwhile the second picture-frame icon lets you grab a project from Creative Cloud (Adobe’s equivalent of Apple’s iCloud) or Facebook acquire a photo from the tablet’s memory or capture one with its camera or nab one from Google’s nicely-integrated picture search engine. We’ll examine the disadvantages of this limitation later on. The Plus symbol creates a new blank canvas to a pixel size of your choice the tablet’s native screen resolution by default (a minimum of 1280 x 800 is required), and a maximum of 1,600 x 1,600 pixels on both Android and iOS. The bottom one is simplest, with two options. The home screen is sandwiched between two menu strips. Like recent versions of Elements and the latest CS6, the background here is dark, which is both pleasant on the eyes and helps your tablet save battery life. The main part of this will show a number of tiles, which includes Tutorials, Intro, and your most recent projects (which is Adobe’s name for images you’ve been working on or have saved within Touch). When you first tap the PS Touch icon, you’ll be greeted by a clean and intuitive homescreen. And just to ensure we’re aware of any performance limitations, we’re running it on a Tegra 2-based tablet, which is the minimum spec for a good experience. Due to their more flexible nature and more affordable starting price, we’re testing the Android version of Photoshop Touch. Since tablets like the ThinkPad and Samsung Galaxy Note 10.1 support pressure-sensitive styli and IPS-equivalent screens, there’s a lot of potential for image editing on the go. But now the hardware is here, what about the apps? For image editing on PC, Adobe’s Photoshop is the benchmark, and now it has come to Android and iOS for the new iPad as Adobe Photoshop Touch.Īlso called PS Touch, the app supposedly offers much of the power of its desktop counterpart, Photoshop Elements, but in a package that’s completely tailored to be operated by touch alone. And they’re not just for browsing the web and playing games on anymore either, with models like the Lenovo ThinkPad Tablet and Asus Transformer Prime demonstrating how multi-talented and powerful the humble slate can be, and how suited to productivity. 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When asked about some of the challenges he has faced growing the app and the company, he’s keen to point out the day to day operations of growing the team on a global scale. It has been absolutely crazy the amount of things that can happen in one day.” “I’m a very self aware person and I try to identify where my feelings are coming from,” he says “I understand not everyday is going to be great and I try to appreciate everything that I am doing. This assumption raised the question of how Cobo has been able to balance the stress of what comes with entrepreneurship. With the amount of realization and success Unfold has been able to amass in the last two years, it is to be assumed that it has taken unceasing hard work. It’s not me or the team, it’s actually the Unfold community driving the change.” In the end, we are empowering our users to drive that change. “We try to choose causes that are worldwide.” says Cobo “Things that have to be fought on a global scale. 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Making the transition into heading Unfold and being credited with the company’s blueprint was only due to a matter of time. The idea was that this app would be able to showcase his creative pursuits in an imaginative way in order for him to be employed. Deciding to settle down in the big apple was because of a conscious choice he made to attend art and design school, Parsons where he studied Strategy and Business Management.īefore the actualization of Unfold, Cobo was working on a similar concept called Portfolio. I always thought it would be something I would do as a side hustle, and just for fun.”Ĭobo had just moved to New York from the United Kingdom where he studied architecture and actively worked in the industry for two years. ![]() “Unfold is product rooted in my passions photography, design, social media, tech,” says Cobo “I never thought it would become such a big business like right now. Revenue too, which naturally is not Mr Cobo’s most loved topic of choice being the humble and low key personality that he is. When it comes to what lies ahead, what this means for the brand is incontestable success in obvious expansion for every strand of the business. Today, there are over 10 million Unfold users who have accumulatively created over 100 million stories. In the last two years, the company ( Unfold), has risen to great heights increasing in popularity in over a dozen countries, serving as the go to app for customizing compelling instagram stories. On the day Alfonso Cobo met with BOND OFFICIAL to record his episode, it was a particularly cold day in New York City and Cobo had just made his way from work - the Squarespace offices where Unfold, the app he had originated about 2 years ago had just been acquired. ![]() ![]() If you would like to contribute an item, advertise in the program or advertise on the JUMBOTRON, please contact SJS Parent Volunteer Jana Tierney ( as soon as possible.
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